Broadcast-ready prize currency
Custom Money for Game Shows and Audience Games
Create fictional bills for televised competitions, livestream games, stage contests and interactive audience segments. Design for the camera, the rules and the reset so every reveal reads immediately.
Design game-show money →Contestant ready
Camera ready
Prize table ready
01
$500
A
GO
Show moments
Design for the instant viewers remember.
The bill may appear as a prize, scoring device, challenge object or sponsor element. Each role needs its own scale and camera treatment.
Contestant handling
Choose size, grip and orientation around the actual action: draw, count, stack, exchange or reveal.
Host presentation
Keep the focal artwork visible from the host’s natural stance and scripted camera position.
Audience read
Use large values and strong contrast for studio screens, wide shots and fast edits.
Production rundown
Attach every set to a cue.
Build the packet
Count, orient and label bills by round, contestant or camera setup.
Owner
Assign the packet to props, stage management or a named producer.
Test the action
Confirm grip, timing, lens detail and visibility under actual lighting.
Adjust
Change contrast or quantity before final show inventory is sealed.
Protect continuity
Photograph starting and ending states for pickups and alternate angles.
Recover
Keep a matching backup packet immediately available.
For the lens
Camera checklist
- Test hero inserts and wide shots
- Check glare, moiré and motion blur
- Reserve clean close-up copies
- Confirm every visible side
For the floor
Reset checklist
- Count after every take or round
- Separate active and backup sets
- Label contestant-specific versions
- Record the final handoff state
Game-show FAQ
Planning questions
Should close-up and wide-shot bills be different?
They can be. Reserve detailed hero bills for inserts and use readable volume sets for wider coverage.
Can each contestant have a unique set?
Yes. Label and photograph every version so packets remain correctly assigned through rehearsal and recording.
How many backups are needed?
Base backups on the number of takes, handling action, resets and whether a damaged set can be replaced during production.
